Previously on Visual Edge…

What We're Taggin' About...

Welcome to Visual Edge Productions

Introductions are always awkward.  So we’re going to skip all the frippery and cut to the chase:

What can we do for you?

Need a crew?  No problem, the company’s owned by two camera guys who’ve been at this since the days when Betacam was shiny.  They’ve been there, done that, still enjoy what they do and know the best folks to work with to make your project the best it can be.  We have a full time staff in the office so that last minute out of nowhere pop-up shoot is going to get covered.

Need gear?  You’re covered. High definition, standard definition, support, lighting, grip, we’ve got it.  And we know how it all works so you’re not going to be handed a camera by a person with a polite yet bemused look on their face when you ask about the frame rate.  Also, remember the part about the company being owned by two camera guys?  If we won’t use it, we don’t rent it.  We’re committed to providing the equipment needed in today’s production world.

What else can we do for you?  Editing, data transfer, duplication… We’re also happy to help out if you’ve got a tech question so even if you’re out on a shoot with your own camera or one that’s been rented from somewhere else (the horror!) and you run into an issue feel free to give us a call.

We’re going to try and make this site not only a place where you can see what we have to offer you but also somewhere we can highlight new technology, offer some tech tips and point you towards the work of some talented folks out there that inspire us.  We’re on Twitter more often than we’d care to admit so please follow us there for the type of up to the minute banality that only 140 characters can offer.

Thanks for checking us out.

NASCAR at the White House Easter Egg Roll 2012

The Easter Egg Roll at the White House celebrated it’s 134th anniversary this year, a tradition started by President Rutherford B. Hayes back in 1878. Now don’t ever say you never learned nothin’ from this site.

This year, Gonzo was asked to go and film some of the fun for NASCAR:

White House Easter Egg Roll and NASCAR

It was a beautiful day and Gonzo had a blast hanging out with the kids and families in such a fantastic location. As you can see, he was very happy:

White House Easter Egg Roll 2012 for NASCAR

However, there was a slight problem: when you’re in such an open location it’s a bit tricky to stash the gear you don’t need while you run around — plus, the Secret Service takes a dim view of people abandoning items on the White House lawn. What to do?

Well, if you’re Gonzo, you point out that it sure would be handy if you could put all that gear in the trunk of the very NASCAR race car that you’re there to feature. Cue chuckles by the client. But wait…

White House Easter Egg Roll 2012 and NASCAR

Who knew?!

Thanks to the folks at NASCAR and the White House for having us out for the day, it’s something Gonzo won’t forget. Plus, he can brag that he’s one of the only people to actually use the trunk of a race car. Not too shabby.

 

Sony PMW-F3: A Viewfinder Solution

We love the Sony PMW-F3. It creates a beautiful image, Sony has been committed to upgrading it via firmware and it has all the bells and whistles you could ask for in a video camera these days. However, the viewfinder is a gigantic pile of crap.

I’m not going to mince words, because there’s no point. It’s lousy. It’s in a lousy place. The color is lousy. The eyecup is round, which led to someone joking it must have been invented for a cyclops to use because there’s no way to block extraneous light while using it, and lousy. I think I’ve made myself clear.

As such, we bought a Zacuto EVF, which is very good. A lovely color screen, loaded with features and the usual solid build quality that we’ve come to expect from the good folks at Zacuto. However, we had two problems:

  • Using a Z-American arm simply wasn’t viable, as there was no way for a camera operator to adjust the position of the EVF on their own once the camera was on their shoulder. Also, extended camera movement worked the arm loose from its screw-in point on the cheeseplate.
  • The EVF is fed the video via an HDMI cable. HDMI cables suck.

As such, we were looking for another option. In October last year, Mitch Gross and AbelCine came through for us:

ProVFM Viewfinder from AbelCine from AbelCine on Vimeo.

We ordered it immediately. Sadly, so did a lot of people, so we received it about ten days ago. We already had the Berkey cheeseplate that is required for the ProVFM Module to work so here’s what came in the box:

The build quality is superb, rock solid and looks great. It’s a piece of cake to install and, again, is rock solid once it’s on. Then we just added the HDVF20A from our old Sony HDW-730 and voilà! A robust viewfinder solution for the PMW-F3 that perfectly meets the ergonomics that people are used to for handheld work.

AbelCine ProVFM Module and the PMW-F3

PMW-F3 Viewfinder Solution

AbelCine ProVFM and the Sony PMW-F3

There is one drawback with using the ProVFM Module and that is the lack of zebras — the F3 doesn’t push zebras out of either the SDI or Video output (we’re hoping that the good folks at Sony might enable peaking and zebras on the video output in a future firmware update) and viewfinders from ENG cameras don’t generate them independently. As such, if you need to check zebras or are used to your color peaking you will have to sneak a peek at the LCD window on the side of the camera. For us, this was not a deal-breaker: your mileage may vary.

The addition of the ProVFM module and the viewfinder takes the PMW-F3 to a different level. Bluntly, Sony should be stealing licensing this idea from AbelCine going forward, it is THAT good and addresses the single largest weak point of what is otherwise a brilliant camera.

Oh, by the way, this is now the default set up for our camera. So when you rent the PMW-F3 from us the viewfinder is included at no extra charge.

Chris Cardno
Production/Rental Manager

NAB 2012: Hopes & Expectations

Note: There is a good chance that between me hitting publish and you reading it all the information contained herein will be utterly wrong. This is just a snapshot of what I’m hoping for and my (potentially optimistic) expectations for NAB 2012.

The few weeks leading up to the NAB show in Las Vegas [...]

NAB 2012: Being Prepared

NAB 2012 is just around the corner and Bruce, Gonzo and Carolyn are very generously sending me out to Las Vegas to soak in the madness. As I’ve been to NAB a grand total of one time before I thought I’d share some hints, tips and thoughts on the event as a whole. That’s [...]

Canon Cinema EOS C300 Now Available

It’s here. And it’s beautiful. The Canon C300 has finally landed and, to be honest, it is SO much better in person than any website or online video can explain. The goofy looking form factor? Makes sense when you pick it up, the camera feels natural in your hands. It has weight, but not [...]